It feels like several years have passed since Christopher Nolan released ‘Interstellar,’ but that’s just because I’m still stuck on that tidal-wave planet where time dilates and stuff. In reality, it’s only been a couple months since Nolan’s latest epic sci-fi film, which opened to positive reviews and, despite its heady subject matter, went on to earn more than $660 million worldwide. Love it or hate it, you have to at least respect the fact that Nolan’s still making huge blockbusters based on original ideas and deeply personal subject matter—as opposed to board games or toys or something.
If you haven’t watched Seth Rogen and Evan Goldberg’s ‘The Interview’ yet, either because you’re too cheap to spend $6 to rent it online, or you were worried North Korean hackers would catch you buying it and share your private emails slagging your boss with the world (I’m sorry Mike! When I called you “a giant goober,” I meant that in an affectionate way, like Goobers candy! Which everyone loves!) you are in luck. As part of their quarterly letter to shareholders, Netflix announced that they will “exclusively” offer the comedy to its U.S. and Canadian customers starting this Saturday, January 24. Sorry Netflix Netherlands! You’re out of luck for now.
When Disney bought George Lucas’ company, they got more than the buildings, computers, droids, and the ‘Star Wars’ intellectual property. They also got George Lucas’ unused ideas for future ‘Star Wars’ movies. Though Lucas had insisted for years that ‘Revenge of the Sith’ was his final ‘Star Wars’ film, that didn’t stop him from brainstorming a few other potential stories that could be set after the events of ‘Return of the Jedi’ (and, I assume, mostly involve Jar-Jar Binks wandering the universe and getting into “hilarious” misadventures).
‘American Sniper’ had a record-shattering weekend at the box office, grossing an astounding $105 million from Friday to Monday. It’s already the second biggest earner of Clint Eastwood’s entire career after ‘Gran Torino,’ and with six Academy Award nominations (and great word-of-mouth) behind it, it’s posed to become his biggest hit ever.
It’s been one heck of a journey for Richard Linklater and his movie ‘Boyhood.’ Shooting on the film began over a dozen years ago; each and every year since, he and his cast and crew would reunited to add a new chapter to the story of Mason (Ellar Coltrane) and his family. Imagine the kind of dedication and commitment that sort of project takes. I had a hard time focusing for the 30 straight minutes it took to write this blog post.
I know one reaction I’ve had to the (allegedly) North Korean hackers and their attack on Sony and their movie ‘The Interview’ is “Why now?” Seth Rogen and Evan Goldberg are not the first American filmmakers to make fun of North Korea, or even its real-life leaders. ‘Team America: World Police,’ for example, featured a marionette-version of late North Korean dictator Kim Jong-il, who wants to destroy Western Civilization (but is also very lonely); the 2012 ‘Red Dawn’ remake actually changed its Asian invaders from Chinese to North Koreans in post-production because at the time that seemed like the more politically and financially safe choice. That’s not going to happen again anytime soon.
J.J. Abrams is famous for keeping secrets. His whole schtick as a director is the “mystery box”—finding pleasure in the unknown, and in the tease of that uncertainty. He didn’t show the monster in the trailer for ‘Cloverfield’; hell he didn’t even show the title of the movie in the trailer for ‘Cloverfield.’ If J.J. Abrams could release a movie without telling you anything about it, he probably would.
This is a weird instance of art imitating life imitating art. Universal Studios Orlando’s famous old ‘Earthquake’ ride was recently updated and replaced with a similar attraction called ‘Disaster!’ where guests get to experience movie special effects, and become extras in the “ultimate” disaster movie called ‘Mutha Nature,’ which stars none other than Dwayne ‘The Rock’ Johnson. Next summer, Johnson will be seen in ‘San Andreas,’ which is basically ‘Mutha Nature’ brought to life.
Trailers are a huge part of the fabric of movies. They play before every film shown in theaters, and on every movie website around the world. They’re commercials, obviously, but they’re also more than that; miniature works of art that utilize the core elements of cinema—image, sound, music, action, editing—at their most pure and refined. And today at ScreenCrush we’re celebrating movie trailers by saluting the best sneak previews of 2014.
Every year, Little White Lies Editor-at-Large David Ehrlich celebrates the best movies with a video countdown supercut. The newly released 2014 edition is typically excellent, and covers Ehrlich’s picks for the top 25 films of the calendar year (even if I might quibble with some of his individual choices coughsomethinginmythroatnotreallyIjustdon’tlike‘Godzilla’cough).
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