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Eduardo Rivadavia

Eduardo Rivadavia (aka Ed Rivadavia) was born in São Paulo, Brazil, and by his late teens had already toured the world (and elsewhere), learning four languages on three continents. Having also accepted the holy gospel of rock & roll as his lord and savior, Eduardo became infatuated with the New Wave of British Heavy Metal and all things heavy, crude, and obnoxious while living in Milan, Italy, during the mid-1980s. At this time, he also made his journalistic debut as sole writer, editor, publisher, and, some would claim, reader of his high school's heavy metal fanzine, earning the scorn of jocks and nerds alike, but uniting the small hardcore music-loving contingent into a frenzied mob that spent countless hours exchanging tapes, talking shop, and getting beat up at concerts. Upon returning home to Brazil, Eduardo resumed a semi-normal existence, sporadically contributing music articles to local papers and magazines while earning his business degree. Finally, after years of obsessive musical fandom and at peace with his distinct lack of musical talent, Eduardo decided the time had come to infiltrate the music industry by the fire escape. He quit his boring corporate job, relocated to America, earned his master's degree while suffering the iniquities of interning for free (anything for rock & roll!), and eventually began working for various record labels, accumulating mountains of records and (seemingly) useless rock trivia in the process. This eventually led him back to writing, and he has regularly contributed articles to multiple websites since 1999, working with many different rock genres but specializing, as always, in his personal hobby: hard rock and heavy metal. To quote from the insightful 'This Is Spinal Tap': "People should be jealous of me...I'm jealous of me...." Eduardo currently resides in Austin, TX, with his wife, two daughters, and far more records, CDs and MP3s than he'll ever have time to listen to.
Warner Bros.
Warner Bros.
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35 Years Ago: Frank Zappa Releases ‘Studio Tan’

If Frank Zappa was still alive, you can bet he'd be the last person who'd want to celebrate the anniversary of 'Studio Tan,' an album he didn't sanction, sequence, or even approve cover art for. He was caught in a legal battle with Warner Bros. Records and former manager Herb Cohen at the time. On top of that, none of the songs included on 'Studio Tan' were even recorded in 1978; most of the tracks allegedly date from sessions between 1974 and 1976, with a couple of cuts even going as far back as 1969.

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Epic Records
Epic Records
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35 Years Ago: Ted Nugent’s ‘Weekend Warriors’ Released

As the 70s rounded the final turn and barreled down the main stretch of classic rock's golden era, arguably no star was shining brighter over American’s infinite heartland, possibly verging on supernova, than that of guitar hero Ted Nugent - he of the loincloth, lascivious grin, larger-than-life persona, and blazing fretboard-tickling fingers.

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Warner Bros.
Warner Bros.
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5 Years Ago: Metallica’s ‘Death Magnetic’ Released

It's now been five years since Metallica attempted to correct the heavy metal universe's cosmic balance with their ninth studio album, 'Death Magnetic. The record doubled as musical return to form and an open apology to their long suffering fans for the disappointment that was their previous album, 2003's 'St. Anger.'

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Columbia Records
Columbia Records
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35 Years Ago: Blue Oyster Cult Release ‘Some Enchanted Evening’

Blue Oyster Cult released their second live album, the aptly named ‘Some Enchanted Evening,’ in September 1978 and proceeded to rack up the biggest record sales of their storied career. Not bad for a band that had spent much of their career to that point intentionally cloaking themselves in mystery while challenging listeners with oftentimes obscure or downright controversial lyrics.

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Led Zeppelin Robbed
Daily News
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40 Years Ago: Led Zeppelin Robbed of $200,000

It's been 40 years since Led Zeppelin had more than $200,000 in cash stolen from a safety-deposit box at their New York City hotel. Hardly a crippling loss, seeing as it came near the end of a tour that grossed more than $4 million. But it was almost a sign that the legendary group's career had peaked and more troubles were on the way.

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Texxas Jam
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35 Years Ago: Aerosmith and Ted Nugent Highlight Texxas Jam ’78

It’s been 35 years since the inaugural Texxas Jam rocked the Cotton Bowl in Dallas and brought the summer mega-festival back to the Lone Star State, after years of staunch refusal by local government agencies to grant longhaired rockers and their marauding fans permission to invade their hallowed stadiums.

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